Posts Tagged ‘Tennessee Williams’
Beginning in February, New Directions will release a new series by favorite ND authors in small format books, similar to the ND Bibelot series that ran from 1993–2004. The Bibelot series served as short introductions to the great 20th century modernist authors such as Henry Miller and Ezra Pound, as well as reissuing short modern classics. The new Pearl series will relaunch some of the Bibelots and introduce short works by new ND authors such as Javier Marías and César Aira.
The editions are pocket sized, with clean designs by Rodrigo Corral, New Directions’ Creative Director at Large, whose minimalist style gives the books a unique look—a rhombus expanding in shape and growing in color; an abstraction of a pearl shining on the spine.
These gorgeous-looking, affordably priced ($9.95!) miniature masterpieces are also quite pragmatic. I really can’t leave my house without something to read, which can be problematic at times, like when I just have to walk down the street to meet a friend or something, does it really makes sense to carry a book with me? But there’s always the chance that the person I’m meeting will be late and I’ll be stuck without a book, but then I end up having to carry a bag with just one book in it, or folding a paperback in half and stuffing it in my back pocket. The Pearl series can solve a lot of these problems for me.
February will see the release of the first series of Pearls, including Patriotism by Yukio Mishima, Bad Nature, or With Elvis in Mexico by Javier Marías, In Search of Duende by Federico García Lorca, and Tales of Desire by Tennessee Williams. The two I’ve read so far have been great. Patriotism is one of the most intense reads I’ve experience in a while, and Bad Nature is a wry tale that takes a comic premise down a dark alley. I used the descriptions from the back jacket of each book:
Shinji Takeyama, a lieutenant in the Japanese army, comes home to his wife and informs that his closest friends have become mutineers. Torn between his allegiances to the Emperor and his rebellious friends, Shinji and his beautiful, loyal wife Reiko decide to end their lives together. Incredible detail Mishima describes Shinji and Reiko making love for the last time and the ritual suicide by seppuku that follows.
“It all happened because of Elvis Presley.”
A boiled-down gem of a Marías story about how Elvis (in Acapulco to film a movie) and his hard-drinking entrouage abandon their interpreter in a seedy cantina full of enraged criminals after insults start to fly. When the local kingpin demands to be told what the Americans are saying, Elvis himself delivers an even more stinging parting shot–and who has to translate that?
In Search of Duende by Federico García Lorca, Translated by Christopher Mauer (Poems translated by Norman di Giovanni, Edwin Honig, Langston Hughes, Lysander Kemp, W. S. Merwin, Stephen Spender, J. L. Gili and Christopher Mauer)
The notion of “duende” became a conerstone of Federico García Lorca’s poetics over the course of his career. In his lecture “Play and Theory of the Duende,” he says, “there are no maps nor disciplines to help us find the duende. We only know that he burns the blood like a poultice of broken glass, that he exhausts, that he rejects all the sweet geometry we have learned…” The duende is portrayed by Lorca as a demonic earth spirit embodying irrationality, earthiness, and a heightened awareness of death. In Search of Duende gathers Lorca’s writings about the duende and about three art forms most susceptible to it: dance, music, and the bullfight. A full bilingual sampling of Lorca’s poetry is also included, with special attention to poems arising from traditional Spanish verse forms. The result is an excellent introduction to Lorca’s poetry and prose for American readers.
“I cannot write any sort of story,” said Tennessee Williams to Gore Vidal, “unless there is at least one character in it for whom I have physical desire.” These five transgressive Tales of Desire—”The Mysteries of the Joy Rio,” “One Arm,” “Desire and the Black Masseur,” “Hard Candy,” and “The Killer Chicken and the Closet Queen”—show the iconic playwright at his outrageous best.
Last Friday, the 27th of November, Tennessee Williams’ formidable play A Streetcar Named Desire opened at BAM’s Harvey Theatre to a sold-out audience. The staff at New Directions were lucky enough to attend the dress rehersal that afternoon, which, due to prevailing illness amongst the cast, was the first time the actors had done a full run-through of the play.
Under the direction of Liv Ullmann, the production was a tour de force from start to finish. The two-story set design opened the cramped Kowalski apartment onto the audience, with the upper story left stark and minimal—a gray, outer wall of the upstairs apartment featuring just a single window. The levels were joined by the fire escape, and there also featured two doors onstage— both within the Kowalski kitchen—effectively used throughout the play to convey emotion (with characters like Stanley stomping through and slamming them), as well as forming literal and liminal thresholds between the prison-like interior of the apartment and the outer world of New Orleans. In the blank space beyond these doors, this outer world was perfectly evoked through the use of sound effects and lighting.
Within these spaces, the actors played their parts with staggering virtuosity. Joel Edgerton ensnared the audience with his Brando-inspired portrayl of Stanley Kowalski, a man unafraid to mark what little territory in the world is his with aggressiveness. From the outset, his Stanley was commanding and comedically ignorant, forceful and violent, a man who feels he has to shout in order to be heard. Uncouth in his relationships both with women and with men, Edgerton gave Stanley his due dose of machismo, aptly defining the role in relation to his female counterparts— his passion-fuelled marriage to Stella, and his relentless bullying of Blanche. Indeed, Robin McLeavy gave a brilliant perfromance as Stella, a woman who is young and benign in the face of her husband’s truculence. She portrayed Stella’s gentle and unassuming nature with poise, and infused the role with emotion, particularly in the final scene, her tearful breakdown over Blanche further highlighting Stanley’s sadistic nature.
But it was Cate Blanchett, as aging Southern Belle Blanche DuBois, who stole the show. From the opening, Blanchett captured Blanche’s nervousness and charm, and injected as much humour as she did tragedy into the character, particularly in relation to Blanche’s obsession with her fading looks and her fondness for alcohol and young men. She played the part with creativity and precsion, seemlessly bringing to life one of Williams’ most fatal heroines, a woman tormented both by her ruinous past and by the brutish figure of Stanley. Indeed, it was in her scenes with the male leads (Stanley and suitor Mitch (played by Tim Richards)) that Blanchett deftly cut to the core of Blanche’s character; a displaced woman on the edge, who is desperate for security and admiration, yet is ultimately abused and abandoned by the men in her life. The drunken rape scene that culminates in Blanche’s inevitable demise was harrowing, the climax of the scene drowned out by the sound of the passing streetcar, a flickering of lights and an eventual blackout.
––posted by Katie Raissian
Thanksgiving heralds a change in season and commences a period of relative hibernation. It confronts the ambiental recession we commonly experience through slower breathing, lower body temperature, and possible metabolic depression. We feel it coming, so we cook all we can reap. We sit together, we eat, and then we eat some more. For our culture with its expansive appetite for consumption, Thanksgiving returns each year with an ironic bend of surplus.
While the economic recession this year may have induced many into hunger unusual, this merry-making season will certainly not be short of gifts for which to be grateful. At New Directions, we have prepared a literary harvest ripe for the picking, including works by William Carlos Williams, Denise Levertov, Bernadette Mayer and Tennessee Williams. To satisfy your desire to feel full and warm this this fall, compliment your cranberry and celebrate your stuffing with some great American poetry.
In In the American Grain, William Carlos Williams “sought to re-name the things seen, now lost in a chaos of borrowed titles, many of them inappropriate, under which the true character lies hid.” He has “recognized new contours suggested by old words so that new names were constituted.” From old records—letters, journals, reports of happenings, Williams preserves the original flavor and peculiarity while creating wholey unique recounts of American History. Since the earliest attested Thanksgiving celebration was on September 8, 1565 in what is now Saint Augustine, Florida, our excerpt begins with a newly-appelled rendition of De Soto’s arrival in the Americas. Against the passionate forebearers, WCW juxtaposes the puritans, and we visit Sir Walter Raleigh, the said founder of the colonies. Our selection concludes with The Voyage of the Mayflower the traditional “first Thanksgiving” is venerated as having occurred at the site of Plymouth Plantation, in 1621. This Thanksgiving, taste anew the tales and personages of The New World, and the “grain of the landscape in which they flowered.”
Midwinter Day, an epic poem about daily routine, written on December 22, 1978 in the Northeast, takes us from morning dream to night again with rich, linguistic flavor. Called “consummate” by Robert Creeley and “ a poet of extraordinary inveniveness, erotic energy and challenge, and ironic intellgience” by Michael Palmer, Bernadette Mayer might just provide the extra heat you crave in this bluster. Four morsels from Midwinter Day, a poem in six parts, will whet your poetry-prose palette.
Such a pre-determined day of reflection and gratitude can run the risk of religiousness; luckily, it is impossible during this holiday to overlook the nourishing break from daily tedium, and treat of partaking with kin in taste and creation, in indulgence and rest, in stirring and smelling together. But, perhaps this sensuousness is not so far from a practice of giving thanks. Denise Levertov, a poet often recognized for themes of politics and war, understands well the implicit blessing in all things. Her poetry touches upon family, relgion, taste and the outdoors, in addition to its activist edge. To remain present in ‘the times’, both in an urgency for peaceful actions and in gratitude for the light of the hour, we recommend excerpts these from Oblique Prayers
Tennessee Williams, a household name for those at home for the holidays. But who of you awaits seemless chemistry when thrust back into habitual family roles? Certainly Tennessee’s home life was not without strife, as the pained beauty in his drama seems to suggest. Instead of entertaining bitterness or speaking on behalf of an old role during these few cherished days of vacation, find something fresh in an otherwise familiar voice. Not many people know that Tennessee Williams published two volumes of poetry published during his life: In the Winter of Cities and Androgyne, Mon Amour (now available at New Directions in single collection with a cd of the author reading).This holiday you will have the opportunity to redefine and experience anew (whether with your family or alone) America’s great dramatic poet.
We hope you have enjoyed our a stimulating, euthermic medley. We worked hard to get the recipe just right. But if what we have chosen doesn’t quite make your stomach growl, it is, as the saying goes “if you don’t like pumpkin pie, there’s some turkey on the table.”
Posted by Leonora Zoninsein
There’s a lot to look forward to in our upcoming spring and summer seasons – Bolaño’s Big Bang, a book-in-a-box, Beat poetry, pigeons and chat rooms, a man with a sexy body and face of a village idiot, Walser’s microscripts, household servants and accidental guests….
Antwerp by Roberto Bolano April
As Bolaño’s friend and literary executor, Ignacio Echevarria, once suggested, Antwerp can be viewed as the Big Bang of Roberto Bolaño’s fictional universe. From this springboard – which Bolaño chose to publish in 2002, twenty years after he’d written in – as if testing out a high dive, he would plunge into the unexplored depths of the modern novel. Antwerp‘s fractured narration in 54 sections – voices from a dream, from a nightmare, from passers-by, from an omniscient narrator, from “Roberto Bolaño” all speak – moves in multiple directions and cuts to the bone.
If you can’t wait, an excerpt can be found in Conjunctions:53. In July, Antwerp will be followed by another Bolaño title, The Return.
Bird Lovers, Backyard by Thalia Field April
Field’s illuminating essays, or stories, in poetic form, place scientists, philosophers, animals, even the military, in real and imagined events. Her open questioning brings in subjects as diverse as pigeons, chat rooms, nuclear testing, the building of the Kennedy Space Center, the development of seaside beaches… Throughout, she intermingles fact and fiction, probing the porous boundaries between human and animal, calling into question “what we are willing to do with words,” and spinning a world where life is haunted by echoes.
Nox by Anne Carson April
Carson’s first book of poetry in five years comes as an accordion-fold-out “book in a box”, a facsimile of a handmade book Anne Carson wrote and created after the death of her brother. The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catallus “for his brother who died in the Troad.” Carson pasted old letters, family photos, collages, and sketches on pages.
The Rose Tattoo by Tennessee Williams April
The Rose Tattoo is larger than life–a fable, a Greek tragedy, a comedy, a melodrama–it is a love letter from Tennessee Williams to anyone who has ever been in love or ever will be. Professional widow and dressmaker Serafina delle Rosa has withdrawn from the world, locking away her heart and her sixteen-year-old daughter Rosa. Then one day a man with the sexy body of her late Sicilian husband and the face of a village idiot stumbles into her life and clumsily unlocks Serafina’s fiery anger, sense of betrayal, pride, wit, passions, and eventually her capacious love.
The Literary Conference by César Aira and Everything and Nothing by Jorge Luis Borges May
These two new titles will be released as part of our new ‘Pearl’ series. The Literary Conference focuses on César, a translator fallen on hard times who is also an author and a mad scientist hell-bent on world domination. On a visit to the beach he intuitively solves an ancient riddle, finds a pirate’s treasure, and becomes a very wealthy man. And yet, his bid for world domination comes first and so he attends a literary conference to be near the man whose clone he hopes will lead an army to victory: the world-renowned Mexican author, Carlos Fuentes…. Everything and Nothing collects Borges’ highly influential work – written in the 1930s and ’40s – that forsaw the internet, quantum mechanics, and cloning. In one essay, he discusses the relationship between blindness and poetry. As Roberto Bolaño succinctly said: “I could live under a table reading Borges.”
The Microscripts by Robert Walser May
Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card. Selected from the six-volume German transcriptions from the original microscripts, these 25 short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery. each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment.
Not to Disturb by Muriel Spark May
A winter’s night; a luxurious mansion near Geneva; a lucrative scandal. The first to arrive is the secretary dressed in furs with a bundle of cash, then the Baron, and finally the Baroness. They lock themselves in the library with specific instructions not to be disturbed for any reason. Soon, shouts and screams emerge from the library; the Baron’s lunatic brother starts madly howling in the attic; two of the secretary’s friends are left waiting in a car; a reverend’s services are needed for an impromptu wedding–and despite all that the servants obey their orders as they pass the time playing records, preparing dinner, and documenting false testimonies while a twisted murder plot unfolds upstairs.
Other great titles to look forward to:
Mysteriosos and Other Poems by Michael McClure — April
The Collected Poems of Dylan Thomas by Dylan Thomas — April
A Splendid Conspiracy by Albert Cossery — May
William Carlos Williams: An American Dad by William Eric Williams — May
The Three Fates by Linda Lê — June
The King of Trees by Ah Cheng — June
From a Broken Bottle Traces of Perfume Still Emanate: Volumes 1-3 by Nathaniel Mackey — July
The Return by Roberto Bolaño — July
View the upcoming covers in full-size at our Flickr account here.